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      ARTWORKS

      Each piece exists as a singular threshold.

      • Paintings
      • NFT Collection
      "Cellular Connection"NACYX (2022) - Painting, acrylic and ink on canvas~35X27cm
      "Oedipus Complex"NACYX - Painting, acrylic and ink on canvas~38X46cm
      “The Crown”NACYX (2018) - Painting, acrylic and ink on canvas, Ø 50 cm
      “WOUNDS” (2018) NACYX (2018) - Painting, acrylic and ink on canvas, 55 × 46 cm
      "Under Medusa's Hair"NACYX (2024) - The moment when what was silenced begins to look back.

Here, the gaze does not petrify — it confronts.
Not a figure of terror, but a threshold.
      "Cassandra or Greta?" NACYX(2024) - A voice speaks, yet recognition never arrives in time.

Between foresight and denial, the figure inhabits a space where truth exists without authority.
      "Hermaphrodite and the Fig" NACYX (2024) - Transformation appears not as resolution, but as movement.

The body becomes a site of coexistence, where identity refuses fixation.
      "NEMESIS"-NACYX (2024) - Justice appears not as balance, but as rupture.

The work inhabits the space where law dissolves into consequence.
      "Sealed Archive"NACYX(2025) - The body becomes a sealed archive.
What is bound still sees.
      "Beauty in Ruin" NACYX(2025) - Beauty endures what wounds it.

The gesture that creates becomes the one that binds.

Ruin is not an ending —
it is the moment transformation becomes visible.

      .
      "Cellular Connection"NACYX (2022) - Painting, acrylic and ink on canvas~35X27cm
      "Oedipus Complex"NACYX - Painting, acrylic and ink on canvas~38X46cm
      “The Crown”NACYX (2018) - Painting, acrylic and ink on canvas, Ø 50 cm
      “WOUNDS” (2018) NACYX (2018) - Painting, acrylic and ink on canvas, 55 × 46 cm

      "Under Medusa's Hair"NACYX (2024) - The moment when what was silenced begins to look back.

Here, the gaze does not petrify — it confronts.
Not a figure of terror, but a threshold.
      "Cassandra or Greta?" NACYX(2024) - A voice speaks, yet recognition never arrives in time.

Between foresight and denial, the figure inhabits a space where truth exists without authority.
      "Hermaphrodite and the Fig" NACYX (2024) - Transformation appears not as resolution, but as movement.

The body becomes a site of coexistence, where identity refuses fixation.
      "NEMESIS"-NACYX (2024) - Justice appears not as balance, but as rupture.

The work inhabits the space where law dissolves into consequence.
      "Sealed Archive"NACYX(2025) - The body becomes a sealed archive.
What is bound still sees.
      "Beauty in Ruin" NACYX(2025) - Beauty endures what wounds it.

The gesture that creates becomes the one that binds.

Ruin is not an ending —
it is the moment transformation becomes visible.

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